Niko Pirosmanashvili(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. | |||
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A Black Wild Boar Pintura Identificación:: 92704 Vea nuestra galería en Suecia |
A Black Wild Boar Date 1906(1906) Medium oil on oilcloth Dimensions 74 X 58 cm (29.1 X 22.8 in) TTD Date_1906(1906) _ Medium_oil_on_oilcloth _ Dimensions_74_X_58_cm_(29.1_X_22.8_in) _ TTD |
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A Peasant Woman with Children Going to Fetch Water Pintura Identificación:: 93046 Vea nuestra galería en Suecia |
A Peasant Woman with Children Going to Fetch Water Date 1900s Medium oil on oilcloth Dimensions 92 X 111 cm (36.2 X 43.7 in) TTD Date_1900s _ Medium_oil_on_oilcloth _ Dimensions_92_X_111_cm_(36.2_X_43.7_in) _ TTD |
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Feast with Organ-Grinder Datiko Zemel Pintura Identificación:: 93053 Vea nuestra galería en Suecia |
Feast with Organ-Grinder Datiko Zemel Medium English: Oil painting on oilcloth עברית: ציור שמן על שעוונית Dimensions 198 X 106 cm (78 X 41.7 in) TTD Medium_English:_Oil_painting_on_oilcloth עברית:_ציור_שמן_על_שעוונית_ Dimensions_198_X_106_cm_(78_X_41.7_in) _ TTD |
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Little Girl with a Patterned Balloon Pintura Identificación:: 93289 Vea nuestra galería en Suecia |
Little Girl with a Patterned Balloon Date c. 1910-1912 Medium English: Oil painting on oilcloth עברית: ציור שמן על שעוונית Dimensions 64 x 37 cm (25.2 x 14.6 in) TTD Date_c._1910-1912 _ Medium_English:_Oil_painting_on_oilcloth עברית:_ציור_שמן_על_שעוונית_ Dimensions_64_x_37_cm_(25.2_x_14.6_in) _ TTD |
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A Tatar Fruiterer Pintura Identificación:: 93290 Vea nuestra galería en Suecia |
A Tatar Fruiterer Date from 1910(1910) until 1912(1912) Medium oil on cardboard Dimensions 75 x 106 cm (29.5 x 41.7 in) Date_from_1910(1910)_until_1912(1912) _ Medium_oil_on_cardboard _ Dimensions_75_x_106_cm_(29.5_x_41.7_in) |
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| Artista Previo Próximo Artista | ||||||||||
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| Niko Pirosmanashvili | ||||||||||
| (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. | ||||||||||
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